Accessorizing MBZ’s farmsteads and rectory might include their bee house and bake oven: 16133 and 16175.
These great little stand alone structures and very easy to build, but you will need tweezers and patience. I pre-painted the parts due to the small size and followed up at the end with some touch-up painting.
The bee house is accessed by a door on the back wall, but it can be married to a barn if desired: many were. Stone foundation was painted with dry brush.
Brick ovens were built for large houses or production baking of other sorts including the commercial enterprise of a local baker. Although it could be used for general baking and roasting they were generally used for bread baking. Building a fire to heat this large oven was impractical for a small farmstead, but infinitely more practical for MBZ’s Rectory (R16089) who’s retired priests and ministers could find comfort and reflection baking loaves of bread for their community.
Available at Reynauld’s 16133 (Bee House) $7.39 + 16175 (Brick Oven) $16.16
Hohenberg House designed to be a multi-family dwelling or shop and dwelling with stucco construction and mansard roof further extends the MBZ rural offerings.
Kit was easy to assemble with the exception of the dormers which were challenging to seat in roof panels. Note: imperfections are part of the charm of MBZ kits and wonky dormers are part of that charm.
The large building kit 16071 includes 4 buildings including barns and farmhouse. This very interesting MBZ kit includes 4 buildings also available separately with open frame/stucco construction farmhouse, stucco barn and two random rubble stone foundation barns. Two barns: one small and one large stored hay, feed, equipment and the occasional member of this farm’s livestock community. Roof color was applied with dirty sponge and pigments. Stone foundation was painted using dry brush.
MBZ 16071 (farm house)
Multi-generational farmhouse with shuttered windows and flagstone open porch is at the center of this farm complex. Stucco was painted with white pigment mixed with yellow pigment followed by light dusting of dry gray pigment to weather and age stucco.
MBZ 16071 (barn 3)
The small storage barn or shed is comprised of stucco, its use was determined by what needed to be stored whether equipment, feed or ciders. This kit is less detailed than the other three so details could only be suggested by paint. Stucco treatment included few areas of repairs to show age, it would have been slightly less maintained than the main house structure thus keeping it water tight was enough maintenance. Presumably the first building erected on this farm perhaps starting out as a barn/farmhouse combination, it may have been used for numerous activities long before the large barns and farmhouse were built.
MBZ’s ‘rural’ structures include houses, barns, farmstead out-buildings and granary. It is an extensive line of rural structures based on German prototypes which in some cases can be adapted to fit an American themed layout. In some cases German prototypical barns moved to the United States with little variation from those found in Germany. The long history of European immigrants settling in the United States have expressed influence in many ways and combinations thus looking for interesting buildings for American layouts could thus be found within MBZ’s line-up.
An older design granary used for storing animal feed or grain is a striking example of a rural German structure used for the same purpose as American grain elevators, but this one based on a late 19th century structure stored bagged grains and feed versus silo storage featuring automatic chute feed. This granary was a centrally located storage facility located near a siding supporting numerous local farms.
Built using MBZ ‘Pigment Starter Set’ (R72217) and Noch Laser-cut glue.
Note: smokestack was not included with kit, I made it using polystyrene tubing. I did not install dormers, I liked how it looks without them.
Two buildings from MBZ’s large farmstead kit 16071 comprising farmhouse and 3 barns including one with an apiary.
MBZ building kits are German inspired architectural forms available in multi-scale kits including an extensive line-up in Z. Building and finishing a kit has unique challenges that are quickly overcome after constructing a kit or two. Included in this post are a few notes I hope are helpful for successful building.
MBZ kits are automatically age old buildings with history time-stamped into their design and fabrication. Giving a model building history through weathering and aging is easy with MBZ, each kit starts out with a baseline moment in time at least 50 years ago. Adding more use and age to the look of a building is up to the modeler: perfect kit buildings for Era I, II, and III.
Cardboard used in MBZ kits vary from other manufacturers, its natural color is gray/brown thus painting is required after the application of a solvent based primer.
Prepping the cardboard requires priming with MBZ Primer R72214 (pre-mixed) or R72211 (unmixed), I recommend the pre-mixed version. Priming is required due to future mold issues as suggested by manufacturer. Flattening parts after priming and before gluing is required: large parts including roof and sides warp heavily after priming, but rolling parts against the warp flattens them easily. Manufacturer suggests painting with pigments applied with sponge. MBZ pigments are water soluble, and they can be mixed together for custom colors. Consistency of paint should not be too wet or dry, it is applied with a wet sponge but avoid caking pigment. Air-brush masking tape should be used to isolate sections to be painted with sponge application. Dry-brush, air-brush and fine brushwork can be followed up later in construction for fine tuning. Pigment paints dry matte, and I recommend a light air-brushing of matte water based lacquer as a final protective coat.
The manufacturer suggests UHU ‘Hart’ glue which is fast setting but I find it messy to work with, I recommend Noch ‘Laser-cut’ glue which is fast setting and quick drying. Note: other fast setting white glues or wood glues should work well, but a fine applicator bottle available at craft stores should be considered. The few parts that are not always included in MBZ kits are ramps and steps which must be built by the modeler. No partition walls are designed in many of these kits thus requiring custom masking for interior lighting. I nice feature of these kits are stone-laid interior floors which can be exposed in a diorama through open doors with perhaps a wagon parked within the barn.
Note: barn buildings illustrated in this post used dry brush technique to highlight and paint stone foundations whereas sponge application of paint was used for uneven authentic weathering of paint. For glazed terracotta tile roofs I apply a light application of Renaissance Wax (micro crystalline acid free wax) which gives a gloss surface without being too glossy or too thick looking plus it is a non-yellowing museum quality wax available at library supply houses and fine art supply shops.
Three painting kits offered by MBZ will get you started, I recommend ‘Pigment Starter Set’ (R72217), it includes numerous pigments, primer (unmixed), and sponge for $55.49, it was more than enough for painting 13 kits. The kit includes a very high quality sponge, but other sponge shapes and sizes are available at art supply shops, they fall within the category of pastel sponges which are tight cellulose sponges which can be used wet or dry, pastel artists use this type of sponge dry only which readily allows mixing of charcoals and pastels.
Note: MBZ kit builds are best treated with a loose approach without worry of precise paint application: using a dirty sponge gives much more depth of color than a clean one between coats of paint.
Siding: Reynauld’s in Illinois is the exclusive USA dealer of MBZ, they have in store examples of finished kits as well as paint and accessories.
MBZ’s rectory is a sizable structure comprised of stucco and shingle roof, it features stalls for wagons.
Roof section arrived heavily warped which is straightened with triangular sections of cardboard found in the kit.
I was after a representation of aged tinted stucco which was achieved by layers of gouache watercolor. Dirt kicked up from the ground was applied with airbrush.
Parts with rough edges made during the laser process were smoothed over with glue and then painted.
Carriage stalls include open beam detailing plus cobble floor which I plan to allow viewing of after building is set on my layout.
Roof coloration involved much experimentation of layering various colors over a primer coat tinted with brown. Rubbing and dry brush supplemented heavier applications of paint. Roof was top coated using an airbrush of a protective finish of gloss varnish which noticeably popped the color. .
Stucco texture was accentuated by wet and dry brush applied to drying paint. Layers of colors were built up slowly and shading was added with a dark lavender color to suggest shadows around moldings.
Interior of building shows the simple and uncomplicated construction which owes to a less than precision kit with imperfect joints, but that could owe to the look of these buildings settling over time and age which is entirely subjective of course.
All and all an interesting kit but one you need to build without worry of perfection.
MBZ’s rather large 3 bay locomotive shed features an attached administration building. Entirely constructed of brick this kit is rather challenging to paint and assemble.
Very large siding parts in this kit arrived heavily warped which required a little patience but overall not a big deal, the curvature in the parts seem to curl due to the laser-cutting process owing to the nature of this kit. One part I was unable to correct, the long wall on the administration building was not designed with a second structural cardboard to laminate with, I would recommend fashioning a stiff cardboard and gluing it with this part before installation.
Roof sheathing for the whole kit was not included as depicted in the instructions thus raw cardboard was the only provided roof which on its own is hideous, I built the roof sheathing out of 600 grit wet/dry sandpaper that I sanded lightly and airbrushed gray/black. No roof ventilation was included so I used spare parts from the Archistories shed kit which is an area to improve on in the future.
Careful brushwork around windows and the added highlight in the bricks.
Wooden doors were painted out on back of administration building. This kit included brick overlay at corners, but my kit had damaged/frayed bricks so the result was okay.
The brick panels have a very interesting pattern brought out by applying color by brush in one direction (left/right) and another color angled up and down: crosshatch. I also applied a variety of colors to the window glazing.
You can only win at building MBZ kits by embracing color which has been layered.
I spent a considerable amount of time under-painting the front of the bays and doors with transparent paint gradually building up to more opaque applications. Doors are wood and accepted paint differently than the paper sections.
Doors feature common small brass hinges which in this kit are challenging to install, but the doors can be permanently glued in place as another solution, not many modelers need moving shed doors.
I airbrushed the glazing to give a hazy grimy look which will be nice to feature with interior lighting including a flickering red light to suggest welding.
Note: I glued a piece of gray paper to the underside after completing the kit, I found the structure to have a rather weak base, and I don’t plan to install it on a layout for awhile.
If you suffer through this kit like I did and complete the building perhaps you will find satisfaction for it on your layout, I like the end result, it’s unique with big scale suggested.
Siding: Reynauld’s in IL is the dealer for MBZ, they also sell everything you need to light this building too!
MBZ loco shed 16 103 features a single pair of doors thus this one bay locomotive shed is for the simple repair and storage of locomotives along a branch-line somewhere in Bavaria. It features timber construction and terracotta tile roof. Very attractive little shed with a workshop.
Foundation is cement outlining a long rectangle.
Here is a good MBZ kit to start with, but it too has it’s challenges namely with paint.
The sides of this building are heavily cut/engraved by laser leaving rather toothy edges in the paper stock, it is highly resistant to paint. Priming the parts as recommended for all kits is helpful, but airbrushing a color over the primer is what I recommend with this kit. If the paper fibers are course in an MBZ kit paint will be difficult with a brush, however smooth fibers such as the roof panels in this kit readily accept paint: persevere!
Building up layers of paint with a brush gives surface depth and depth of color versus superficial uniform paint: nobody wants to be superficial!
Window details with glazing attached are glued between framework side panels and outer detail side panels. Note: after the the initial structure is glued and standing on its own with glue dry and trusses in place but windows still at Home Depot spray paint interior black or graphite black by Krylon.
Doors are hinged in this model, but the solution is not that subtle: 2 small brass cabinet hinges glued in place between layers of card-stock. This is the first time I have encountered this type of hinge solution, initially I thought: UGH!, but after painting them they aren’t too bad; they are far more durable than other solutions and hardly noticeable with the doors open.
Using airbrush I applied a final acrylic varnish coat in matte finish to the sides and a semigloss finish to the foundation. Note: airbrush masking tape comes in a variety of widths, it is well suited to isolating areas to be painted either by brush or airbrush.
The roof is comprised of a chimney and 3 smokestacks made of wood, the kit included 3 printed paper caps for the stacks which I didn’t like and didn’t use. I built up layers of paint loosely mixed together to give a mossy and terracotta color. The protective coat on the roof is micro-crytstalline wax commonly referred to as “Renaissance Wax”, it was applied sparingly with my finger. Note: If using this product it is important to apply as sparingly as possible to avoid a waxy build up. Renaissance wax is a non-acidic/non-yellowing wax available at art supply stores.
Siding: Reynauld’s is the USA dealer for MBZ kits in numerous gauges and MBZ paints.
